A doubtful and chaotic humanity,
a tribe immortalised without judgment.
Giannelli's works narrate of a humanity in continuous transformation, sometimes exalting its potential and the technologies it uses and thanks to which it may do revolutionary things, sometimes underlining its self-destructive inclination. His bodies, in which the relationship between figuration and concept is so much evident, force us to reflect on strong contemporary issues of which the artist himself is the spokesperson: stem cells, cloning, DNA manipulation, homosexuality, diversity, food, ethical borders. Anyway, be careful: the sculptor's work does not want to be a judgment or a tougher stance, but rather an invitation to reflect on these issues, an emotional and authentic "positive provocation", as the artist loves to call it.